From the start, there was a special kinship between the four musicians, a bond forged in a mutual passion for creativity and artistic advancement. “Everybody else in the group is doing the same things, collaborating with different people, and pursuing a wide variety of ideas, so when we come together and put all of our separate soups into one big stockpot it turns into a very diverse concoction.” Fleck first united the Flecktones in 1988, ostensibly for a single performance on PBS’ Lonesome Pine Special. “All the different things I do come together to make a new ‘hybrid’ Béla’,” Fleck says. Simply put, it is The Flecktones: music made only when these four individuals come together. ![]() While all manners of genres come into play–from classical and jazz to bluegrass and African music to electric blues and Eastern European folk dances–the result is an impossible to pigeonhole sound all their own, a meeting of musical minds that remains, as ever, utterly indescribable. ![]() ![]() ![]() Groundbreaking, Grammy-winning quartet Béla Fleck & The Flecktones will be celebrating its 30th anniversary with a North American tour this summer.īanjoist Béla Fleck, harmonica and keyboardist Howard Levy, bassist Victor Wooten and percussionist / drumitarist Roy “Future Man” Wooten have been creating some of the most forward thinking music during their long, storied career. UFO Tofu Aimum: Béla Fleck and the Flecktones: USSM10008728 5:51: Outbound Alash Khem (Alash River Song) Béla Fleck and the Flecktones: 2:27: Live at the Quick Almost 12.
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